Hatebreed - The Concrete Confessional (2016).rar. Hatebreed - When the Blade Drops.mp3. Hatebreed- Hatebreed (2009) Ultimate Edition @320kbps.zip. HATEBREED The Concrete Confessional. For the purchase of this item you'll receive 96 Nukes! Info about Nukes!-Points. CD - $11.99; 386735 (Current item) CD. The seventh studio long player from the Connecticut-based collective, the Nuclear Blast-issued Concrete Confessional continues the band's longstanding tradition of fusing punishing metal riffs to foundations of unadulterated hardcore punk. Recorded with longtime producer Chris 'Zeuss' Harris (Whitechapel, Rob Zombie), the 13-track onslaught will be supported by North American tour with.
Band: HatebreedAlbum: The Concrete Confessional
Hatebreed will release their eighth studio album, Weight Of The False Self, on November 27th, 2020 via Nuclear Blast Records. Hatebreed – The Concrete Confessional Label: Nuclear Blast Entertainment – NE 3667-2, Nuclear Blast Entertainment – 3667-2.
Label: Nuclear Blast Records
Produced By: Zeuss
Hatebreed The Concrete Confessional Zip Cover
Released: 05/13/2016
Track listing
- A.D.
- Looking Down The Barrel Of Today
- Seven Enemies
- In The Walls
- From The Grace We’ve Fallen
- Us Against Us
- Something’s Off
- Remember When
- Slaughtered In Their Dream
- The Apex Within
- Walking The Knife
- Dissonance
- Serve Your Masters
There is the old saying “If it ain’t broke, don’t fix it”. This is a motto that Hatebreed have thrived by, with each album release packing a familiar punch but with a slightly new twist. Hatebreed has been one of the most consistent bands in the metal / hardcore scene, and in no way is that a bad thing. Their newest release, The Concrete Confessional, is everything we have grown to love from the band with a few new tricks up its sleeve. Its fast, short, aggressive, inspirational and catchy as ever.
Hatebreed The Concrete Confessional Zip Codes
The Concrete Confessional is possibly the farthest the band has swayed from their traditional sound to date. There’s the track Something’s Off that seem to be a mesh with the more rock-based sound found on front-man Jamey Jasta’s solo project, Jasta. Featuring more singing and harmony then we typically see Hatebreed crank out. The Apex Within has a very old school NY hardcore feel filled with gang vocals and plenty of Whoas. It’s these new bits that are a breath of fresh air and I feel are actually a highlight on the album. Fear not Hatebreed fans the rest of the album is packed full of the aggressive tunes like Dissonance and Serve Your Masters we’ve grown to love from the band. Led by the single / video Looking Down The Barrel of Today, which is a insanely catchy and adrenaline pumping song from start to finish.
When a band gets this far along into their discography it becomes a bit harder to really place new albums amongst the greats. Is The Concrete Confessional the best album in the Hatebreed catalog? I wouldn’t go that far but I felt it was a nice step up from the last album and is packed full of songs that can pick plugged and played into their live sets and have the crowds moshing and singing along. I felt this album was a good attempt at adding new ideas into the mix without compromising the bands core sounds. With yet another solid album under their belt Hatebreed shows us why they are one of the top bands in metal today.
Score: 8/10
Hatebreed is:
- Jamey Jasta – vocals
- Frank Novinec – Guitar
- Chris Beattie – Bass
- Wayne Lozinak – Guitar
- Matt Byrne – Drums
Metalcore can mean very different things depending on who you're asking. Is it the noise rock inspired hardcore psychosis of DEADGUY? Or is it the more recent AT THE GATES and Swedish melodic death metal-influenced stylings of AS I LAY DYING? Internet warriors can grit their teeth and battle eternally about that if they'd wish. In any event, HATEBREED has been tagged as such, apropos if you recognize the obvious metallic hardcore elements and espoused hardcore ethos. This attitude is embodied overtly by vocalist Jamey Jasta's concise and motivational lyrics, which mesh sonically with the trappings of Floridian death metal, thrash and nineties aggressive metal. Whether it's palatable to one or not, there's no questioning the fact that the band has left an indelible impression upon a variety of popular and underground strands of metal and hardcore in the new millenium.
HATEBREED's agenda, since day one, has seemingly been to clobber listeners senselessly with their music. Bands with this mindset can understandably have an abundance of energy when they come together in garages as 18-year-olds, but the challenge for long-running bands of this ilk is retaining their ongoing relevance and potency. Sure, the band has broadened its horizons since its inception, but it's HATEBREED. Not known for its dynamics, the band has developed a formula and maintained course all the way through studio release number seven: 'The Concrete Confessional'. The group's tenacity is admirable; yet it remains as inconsistent as it has been for the better part of the last 10 years.
In terms of the potency factor—the energy and aggression—the band hasn't lost steam. 'The Concrete Confessional' is generally linear, formulaic HATEBREED, though the music is occasionally peppered with Jasta's improved melodic vocals. This is evident on 'Something's Off', a hook-laden track that's catchy and addictive even beyond the singing. Drummer Matt Byrne's pummeling, to-the-point approach continues to offer perfectly placed percussive nuance.
'The Apex Within' starts off with gang bellows, and it stumbles along with a riff that's forgetful enough you can instantly earmark the song as filler. But HATEBREED grabs you by the shoulders and demands your attention with the very next song, 'Walking The Knife'. This track begins with a lurching, low-end riff before building up to a frenzy punctuated with Jasta's significantly smoldering vocal outpouring and brief bursts of blast beats. The stuttered, buzz-saw riff that opens 'In The Walls' sets the tone for the track's menacing energy that defined HATEBREED's classic debut full-length: 'Satisfaction is the Death of Desire'.
SLAYER-esque thrash is a longtime staple within HATEBREED's music, and drives a considerable amount of the material on 'The Concrete Confessional'. This is on display most prominently with the blistering opening track 'A.D.' and its tight riffing. The band also takes advantage of its prowess with slower tempos, propelling chunky, groove-based songs like 'Seven Enemies'.
Hatebreed The Concrete Confessional Zip Album
'The Concrete Confessional' is far from being weak or light, but long-term HATEBREED fans will most likely be left wanting more ferocity, which the band is more than capable of delivering. It isn't a bad release, and it is more satisfying than the majority of what you'll hear in contemporary aggressive metal and hardcore. It just isn't a great HATEBREED album.